The idea of Minus the Bear going acoustic might be an odd idea considering the band’s reliance on ripping electric guitar riffs and delay pedals (specifically Line 6 DL4s). However, the appropriately titled Acoustics, shows that the band members’ musical talents are enough to carry them through the “unplugged” realm.
Undoubtedly, the band is better as an electric unit. “Throwin’ Shapes” suffers from a severe loss of pace as compared to the original. Likewise, “Burying Luck” lacks some driving forward force without amplification. The one previously unreleased song on the EP, “Guns & Ammo,” makes the point clear. It’s Minus the Bear’s first specifically acoustic song and it just feels slightly off. The music seems too light and contrasts with the more somber lyrics.
Some tunes don’t fall off nearly as much. “We Are Not A Football Team,” which is probably the Minus the Bear track best suited for acoustic transition, works perfectly due to the soft and breezy nature of the original. “Ice Monster” also succeeds thanks to a nice mix of percussion featuring shakers, tambourine, heavy claps, and some wood block.
“Knights” comes off surprisingly well considering how much the Planet of Ice version (specifically the intro riff) relies on guitarist Dave Knudson stomping on DL4s. Acoustics allows Knudson to showcase how amazing a guitarist he is. It is very cool to hear the intricate little details of his lead work. The fact that the sounds of fingers sliding up and down the strings has not been downplayed is pretty nifty as well. Alex Rose’s key parts are also noteworthy. They are given a better chance to add flair on Acoustics because they aren’t as buried in the mix as they are on typical Minus the Bear releases.
The biggest issue with Acoustics is how bored Jake Snider’s vocals seem. It’s far and away the weakest performance Minus the Bear has ever had in that area. “Pachuca Sunrise” is the only track where Snider seems invested. It strange that this is the case, since acoustic recording usually bring out a more natural, less robotic vocal sound. Maybe it’s just poor production (doubt it), but whatever the case it’s not good.
For all the criticisms that can be levied against Acoustics, it’s still an enjoyable listen. The album is a nice change of pace for Minus the Bear and works for a more relaxed (and relaxing listen) then the band’s LPs.
Review Score: 7.1
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